(In)Justice Systems, Brentwood Arts Exchange, March – May 2019

What Feminism Looks Like – A Nasty Woman Exhibition and Art Auction for Planned Parenthood , Co-Curated with Shante Bullock, District of Columbia Arts Center, Jan 2018

Boundaries, a video art exhibition, Brentwood Arts Exchange, March 2017

Reference , Workhouse Arts Center, Lorton, VA Jan-April 2015

Curated shows in the greater DC area include Reference at the Workhouse Arts Center, which investigated the ways in which artist-educators are influenced by Art History.

Boundaries, an exhibition of video work, investigated the real and constructed nature of space through geographic, political, and even metaphysical "boundaries." The location of the exhibition site, the Brentwood Arts Exchange, falls along the border of DC and Maryland. 

On the one-year anniversary of the Women's March, Erin co-curated What Feminism Looks Like, a Nasty Women exhibition and auction for Planned Parenthood with DC artist Shante Bullock.  With support from Art Watch, Devine and Bullock juried submissions from local and national women artists.  The exhibition was hosted at the District of Columbia Arts Center.

Again for the Brentwood Arts Exchange, in spring 2019 (In)Justice Systems featured artists who challenge the prison-industrial complex and unjust incarcerations globally.

Structure(d) Observations, Aug-Sept 2016

Kianoush Ramezani: The Art of Danger, Jan-Feb 2016

Material/Method: contemporary practices in painting (catalog), Aug-Sept 2015

Air Loom, Mary Carothers, Jan-Feb 2015

Recently, Workingman Collective, Nov-Dec 2014

Positive ID: Bodies & Subjectivities in Photo (catalog), Aug-Sept 2014

The Quiet is Loud, an installation by Suzanne Faris, Jan-Feb 2014

Cross Culture: Transnational Identity in Recent Video Art Featured: Shoja Azari, Coco Fusco, Esra Ersen, Isabela Prado, Arthur Liou,, Aug-Oct 2013

While Director from 2013-17 for the New Gallery for Contemporary Art at NOVA, Erin curated national and international artists, as well as student and faculty work.  Twelve exhibitions promoted both new practices/concepts in contemporary art and reflected the studio areas taught on campus. 

In the early 2000s, the Erin Devine Gallery was located in a former firehouse in the arts district along Market Street in Louisville, now known as NuLu.  The commercial gallery operated for five years before Erin left Louisville to pursue a doctorate.

Exhibiting works by established and emerging, local and international artists working in photography, installation, sculpture, and painting, it was a founding space of both the First Friday Gallery Hop and the Louisville Photo Biennial, as well as establishing an international exchange between Louisville and Dublin, Ireland.